Out-Shine Competition and impress judges

You’re about to walk into a public spotlight. How to present a glowing, winning persona and performance? Communicate confidence based on your solid preparation and ability…

Whether your platform is words or music

It’s music competition season and my students compete this weekend. My lesson tips are refreshed from recent adjudicating at Mt Isa Eisteddfod, west of my birthplace. The train passed our sheep property, but never carried me west to Mt Isa.

My recent memoir Midnight Sun to Southern Cross describes my outback childhood and steps on my journey to become a Classical musician and educator. Of my culture shock when plunged into city schools after correspondence lessons in remote Queensland and transition from shy outback child into one who now enjoys communicating.

Covers-1Read on for Tips to Shine.

But first, sound a gong!

I’m thrilled that  Burn My Letters is shortlisted for the CALEB 2017 Nonfiction competition. It’s  the first book of my saga.

Winners will be announced at the Omega Writers Conference in Sydney 29 October.

Preparation: Remote control and sound test before if possible

What an experience to adjudicate recorder players via webinar at the Mt Isa School of the Air. How impressive that teachers instruct with no visual cues or demonstration so remote youngsters can learn music and compete.

FullSizeRender 2

Rural Internet is too poor for Skype so judging was on pure sound, no visuals. Young recorder competitors blew too close to the mic so I jumped in my chair at their initial raw sounds.

Performance Tips for Backstage

• Hand on forehead and slow deep breaths calms excess adrenaline.
• Buzz lips to prevent tension squeaks (clarinet and saxophone).
• Stand against a wall for upright posture.
• BREATHE!

Make a positive first impression

  • Walk on with upright posture that says ‘I am the greatest!’ Smile or exude gravitas.
  • Take a moment to poise before beginning. Breathe.

Tips to stand out from the crowd

When many deserve places the adjudicator prays for someone to shine. Colour your performance/presentation with wide range of dynamics/tonal colour. Just as actors exaggerate their vocal tone, facials and body language, so winning musicians exaggerate and contrast dynamics.

In my own coming presentations…

 Sunshine Coast International Readers and Writers Festival director Wendy O’Hanlon launches Midnight Sun at 10.15 on 13 August at Coolum.

I’ll share tips on Writing Memoir and Historical Biography Saturday 12 August 11.30.

FinnFest Presentation 19 August 11am at Finlandia Village, 343 Cleveland-Redland Bay Road, Thornlands Brisbane

FinnFest Title

Includes live music:

  • Sibelius’ Swan of Tuonela played by Emily Salonen (cor anglais) with Peter Crane (piano).
  • I’ll play a Menuetto by Finnish composer Bernhard Crusell on clarinet.
  • Finnish music from my grandfather’s home village played by string quartet.

I’ll remind myself that:

A mistake, glitch, or fluffed note is not doom. (I tell my clarinet students ‘If you squeak, make it a good one!’)

Think ‘Even though I stuff up I love and appreciate and respect myself!’

Communicate with listeners! Eye contact that interview panel or conference audience.

Play or speak musically with beautiful tone, and above all…

ENJOY your performance!

Books are available on Amazon (hard copy and eBook). Autographed copies via Paypal at the web store. ruthbonetti.com

Ginger up your confidence

The symptoms of nerves can be similar whether we present through words or music. Blame that old bogey fight-or-flight. Learn to channel excess adrenalin into energy and you can shine in the spotlight.

Spotlight takes you out of your comfort zone?

Participants at my recent Communication Confidence training day were primed to deliver a three-minute speech. One shared that past presentations caused severe nausea. She was reassured to hear seasoned performers also suffer:

Even Oscar-winning actors?

Dustin Hoffman found live acting far more stressful than filming. When performing Shylock in The Merchant of Venice in London, he spent so much of his off-stage time in the bathroom that a plaque was attached to the door. It proclaimed ‘Dustin Hoffman is here’ and was signed by all the cast. (Excerpt from Don’t Freak Out–Speak Out).

After deep breathing and massaging pressure points, (and more tips below) Andrea spoke fluently, especially in an extempore segment.

Next day she emailed: ‘Yes, I did step out of my comfort zone but I felt pretty good about myself last night when I reflected on my day.’ She was willing to be quoted as ‘it will be good to help others and even better that I am not alone in these feelings.’Ironside State School St Lucia Jen Wedding 1957

Sharing does help!

Now that I’ve overcome my own agonising childhood and adolescence shyness, I’m glad to help others by sharing, both in training/coaching and in my recent memoir Midnight Sun to Southern Cross;

(That’s me on the left, in front of  purgatory Ironside State School. I write how dreaded headmaster Mr. Murray petrified me–and others including Alan Jones!)

Midnight Sun front cover

When I now coach people to boost their confidence in presentations, I can say ‘The person you are now is not who you will be in a decade or two or five. If I can conquer such shyness and fears, even welcome public performance, so can you.’ For I evolved from a shy outback child who hid in the toilet block rather than face fearsome peers into an adult who welcomes any platform to reach out with words and music.

That’s Granddad WA Back standing in the driver’s seat (under ‘Ruth’) in 1924 when this Migrant-made-good brought his family on a whirlwind world tour home to Finland.

WA Back Hawken Drive St Lucia Big House Finn magWelcome to my BOOK SIGNING 1 July, 11am–2pm.

Come to Mary Ryan’s Books and Coffee at Milton. Have a chat, see photos of development of St Lucia and my grandfather’s 1950s Art Deco ‘Big House’ with an elevator in it.Hawken Dr lift

I quote a cousin’s anecdote:

Granddad telephoned in the 1960s.

‘Please come quickly, there’s a woman in the bath and she won’t get out.’ A vagrant had knocked on the door and the ever hospitable Grandma offered her food and drink. In her dementia, she agreed when the woman announced ‘I would like a bath.’ Police evicted this uninvited guest from the bathroom.Hawke Drive St Lucia Art Deco Big House bath

Too far to travel? Where can we buy books?

See reviews on Amazon (hard copy and eBook). Autographed copies at the web store (and these have bonus inside cover photographs!)

More quick fix tips for nerves

  • Ginger is excellent for calming upset stomachs. Drink lemon and ginger tea or infuse grated fresh ginger in hot water.
  • Some prevent nausea by wearing acupressure magnets on elastic wristbands.
  • Massage the pressure point (called Neigun or PC6) which is located about two finger breadths above the wrist crease, between the two main tendons on the inner forearm. Press firmly or stroke towards the wrist. (Stroking from this point towards the elbow can induce vomiting.) This pressure point is also useful for treating shortness of breath, insomnia and anxiety.
  • Massage or press tender points in a radius of five centimetres around the navel to relieve emotional stress.

Presentation Confidence Training and Coaching

Now these books are published I have more time for presentations, training and coaching. Email to discuss how you or your organisation could benefit.

And enjoy reading the books! As did Jeanette O’Hagan (thanks for the review!)

Tips for music competition success

In last week’s Queensland Eisteddfod my adjudication comments often echoed an email to my students who also faced competitions.

How to prepare for a competition (or concert)

In the warmup room

• SLOW scales, long notes
• Play any tricky bars at HALF speed
• Hand on forehead and slow deep breaths calms excess adrenaline.
• Buzz lips to prevent tension squeaks (clarinet and saxophone).
• Stand against a wall for upright posture.Main illus man head LR
• BREATHE!

In the performance

Walk on with upright posture that says ‘I am the greatest!’
If people clap, bow. Prime friends to clap so you can bow.
If an MC doesn’t do so, introduce your piece in a big clear voice; look at the audience not your music.
Tune to piano/other players. Nod ‘I’m ready.’
Take a moment to poise.
Eye contact – give a clear upbeat in the tempo you really mean.
Play out with a big, round, beautiful tone.

If things go wrong

Expect your pianist to follow you. Rescue with a clear downbeat, eye contact or gesture; also to indicate if you need time for well-chosen breaths.
A glitch, wobbly bow or fluffed note is not doom.
I tell my clarinet students ‘If you squeak, make it a good one!’
KEEP GOING – DON’T STOP.
Think ‘Even though I stuff up I love and respect and appreciate myself!’

Stand out from the crowdSax crop

When many deserve places the adjudicator prays for someone to shine.

Exaggerate dynamics so the adjudicator thinks ‘ah, musical!’ Feel free to add more.

Communicate with listeners—they love that!
Play musically with beautiful tone, and above all…
ENJOY your music! Have fun!

After the last cadence

Bow and acknowledge the pianist.
Smile–whatever happened in performance is your secret.
‘I’m proud of you for learning, practising and polishing, and presenting your pieces. If you gain a place, that’s the icing on a tasty cake.’ 

Book launchBML Cover med

My latest book Burn My Letters launched at Byron Bay Writers Festival on Friday. The Brisbane launch on Saturday 13 August at Queensland Multicultural Centre is ’ticketed’ for space and catering. It’s nearly full house so do reply email if you’d like to come.

My interview on Radio 4EB FM is online for a week. Scroll through to Breakfast with BEMAC; the interview is 21 minutes in.

Books are available with Paypal and at IngramSpark and Mary Ryans bookshops.

Artwork credit: John Harrison

In last week’s Queensland Eisteddfod my adjudication comments often echoed an email to my students who also faced competitions.

“Playing” music…for free or fee?

Some non-musicians can’t understand that because we “play” music, it’s our livelihood. That we have invested years of decades’ study to finesse our talents. That we still put hours into practice and in many cases into arranging and composing. OK, I’m preaching to the converted. But…

Practice or play?

Why not choose a positive title like “Practice Makes Perfect” someone asked when I published Practice is a Dirty Word: How to clean up your act.

I’m allergic to the words perfect and practice in the same sentence.

practiceIn it I wrote:

Let me explode a myth.
Practice does not make perfect.
Not exactly. Not always. Hey, not ever. Let’s face it, we can’t be perfect.
Even top performers cannot be perfect. None of us can be a hundred percent perfect. Trying to be so is the biggest single cause of nerves, insecurity, depression, low self-esteem. These can cause even the most capable and talented people to give up.
The whole problem is that “practice makes perfect” has been garbled and used as a whip around our ears. Who coined that phrase, anyway? No one admits to it, but the closest we can get to its origin is that the ancient Greek philosopher Periander said: “Practice is everything.” 

But what to call it? Play?

I wrestled to find another word for “practice”. Play is the closest, implying active, creative engagement. (But we know for some it means –er–lack of focus.)

There’s the pitfall…

Some can’t imagine we should be paid real money for mere PLAY.

I must offer professional fees for live musicians at the book launch.

Thank you to those who’ve supported my crowdfunding campaign.Special mention to Althea O’Dee for her heart-warming email:”Congratulations on your new writing project! You inspire me so much. I am working in China at the moment. I’d like to donate to your fund, but when I open the fund-site, it is all in Chinese. Could I donate into your bank account… and you don’t need to send anything in return? I just want to help you, since I already own a couple of your music books, which have really helped me.

We hit the goal! Now to pay musicians at book launchTwoCovers

When my books are between covers, we’ll raise a glass to my wonderful supporters. With live music of course. These talented musicians deserve REAL fees, not mates’ rates.
With extra funds I’ll book a singer and commission son André to arrange Scandinavian music to perform with his gypsy band Greshka).

Because Words and Music are my fortes

There’s a few days left support my campaign. Do check out my crowdfunding site.

Thanks for your support!

 

Ms. Crotchet calls time on tutti

Group vs. individual music lessons?

Kudos to colleagues who teach mixed groups of instruments, standards and ages as their norm. I know some who battle groups of 30 Bb/Eb clarinet and sax beginners. They’re braver than me!

So I’m blessed…

That last week, in a group of three, some Year 4 clarinet beginners managed a few opening notes of Pink Panther in their third lesson. I was as surprised as they were. With help from parents who play a little clarinet, they managed the first phrase next lesson. Are they practising? Heaps!

But I am OVER mismatched groups!

I sent an email to parents last year:Ruth + Student_6921

“Dear parents,

To best realise your child’s potential and optimise your investment, consider:

GROUP LESSONS – Pro and Con:

  • Group suits family budgets.
  • They nibble a teensy taste of music.
  • It’s sociable – if players are well matched and compatible.
  • BUT age, instruments and standards often vary.
  • Little scope for timetable changes, or adjustment.
  • 2 students in 30’ group = 15’ each.
  • 3 students in 30’ group = 10’ each. Pieces chosen for the group pace.
  • Time goes on aspects where Matt struggles but Jake plays easily.
  • Fingers twiddle while Mr. Quaver fixes a student’s bent key.
  • If a student misses a lesson that others attend, there’s no scope for make-up.
  • Exams aren’t feasible for groups with little time to cover all aspects. Ms. Crotchet talks staccato sfz, marcato, V between brows.
  • Presto to hear what students practised and give new pieces.
  • If no time to play all they prepared, why practice next week? They lose interest.

Practice dwindles > performance nervespractice

They need Ruth’s books (check the half-price deals and class sets).

Capable students stop lessons if frustrated, wasting talent and parents’ investment.

PRIVATE LESSONS

  • Negotiate timetable for premium times in break/before class.
  • Make-up lessons if 24 hours’ notice of illness or tests.
  • With teacher’s undivided attention, students move at their own, faster pace.
  • Ms. Dolce chooses pieces and styles they like, is enthusiastic, relaxed and fun.
  • Exams and competitions are well prepared, so high results are likely.
  • Students set and meet goals, enjoy challenges, realise potential and SHINE IN PERFORMANCE!”

CMP-with-shadow

Andante con momentum

It was a risk. But this year, Mrs Dolce’s schedule is full, her days long, but she emerges grazioso!

Adrenaline: performance highs and lows

End of year exams, presentations, and concerts to juggle and prepare, we’re tired and living on adrenaline.

ALERT: Beware adrenal fatigue.

PRIORITISE as time runs short. I could have posted this blog sooner, but chose to schedule a massage and a nap before the afternoon’s teaching and practice sessions.

My students played their concert last week. That morning, I wasn’t surprised when some asked to change their pieces to Plan E (for EASY) instead of the mooted Plan C (for CHALLENGE) or Plan D (Doable). Because many students – and teachers – struggle to fit everything into the time before any big event. Myself included.

As I practise for solo performances this weekend, and prepare my students for exams and concerts, I need the advice in my own books! So I reread the chapter “Me-Time” in Sounds and Souls: How music teachers change lives.

The days beforesoundsandsoulsmedium

Actors and singers know to “save themselves” as well as their voices on the day of a performance. They talk less, eat less, pamper themselves a little, and don’t rush around. They retreat into themselves, focus on their part or persona, and avoid arguments or upsets. Try to plan the lead-up days, to reschedule where possible any draining commitments. Maintain a balanced, healthy diet. Curb caffeine, sugar, alcohol and…

Channel adrenaline

Seasoned presenters have learned to go with the adrenaline rush, even to welcome it as a source of energy and vitality. Yet this is also the province of the “fight or flight” response triggered by the primitive brain stem when in pressured situations. It is the very breeding ground of those unsettling physical symptoms like dry mouth, queasy stomach and shaky hands – which even experienced speakers may occasionally experience.

Try this quick fix to channel and focus this adrenaline by accessing the sophisticated part of the brain, the cerebral cortex.  Defuse the negative responses of the brain stem and to access your brain’s frontal lobes: sit quietly backstage, breathing slow and deep, with a hand on your forehead.  Holding these forehead pressure points, called the “positive points” by Brain-Gym exponents Paul and Gail Dennison, has a bonus effect of also calming an unsettled stomach. And unwelcome symptoms of nerves fall away like a pack of cards.

Hear Ruth Speak

BRISBANE: 3 December
Ruth will present and workshop around how to “Stand & Deliver and Power Up your Professional Introduction”

LikeMinds Networking breakfast The Gap  Bookings:  0406007753

BRISBANE: 3rd July 2016 Music Teachers Association Queensland

“Dealing with performance anxiety”

Ruth Tours 2016

NEW ZEALAND March, April and again September

ADELAIDE April, May 2016

Contact Ruth to check available dates for student workshops, Professional Development, training and coaching.

Ruth Performs

As soloist with Brisbane Symphony Orchestra: Mendelssohn, Konzertstücke for 2 clarinets features Ruth Bonetti and Sian Davis, principal clarinet of Noosa Orchestra.

Movie Themes Family Fun Concert

28 NOVEMBER | 3PM Lake Kawana Community Centre 07 5413 1400 29 NOVEMBER | 3PM St Aidan’s Anglican Girls’ School, Corinda Tickets

Water therapy for healthy performance

‘Tis the season of exams and recitals. We’re prepared, right?

(‘Fail to prepare > Prepare to Fail.’) As stress levels lift, we need clarity to function to our ability. Or we fluster in performance and lose the plot – and control of passages or scales. “I played that perfectly at home!” we groan.

WATER: a miracle boost for performers

Under the spotlight, we challenge our systems in many ways. Multiple signals buzz from brain to body. Our bodies are made up of about 70% water. This is an excellent conductor of electrical energy, necessary to efficiently pass messages between the central nervous system, brain and sensory organs.Ruth Sian

How many glasses of water did you drink today?____

In a “normal” day we need about eight glasses of water; even more in pressured times. 

Stress dehydrates. Responses become sluggish when we’re dehydrated. During challenging times, maintain water intake to improve concentration, mental and physical co-ordination. It alleviates mental fatigue, increases energy levels, and keeps our brain firing.

The downside

I know what you’re thinking! More frequent visits to the bathroom – another pesky performance symptom. Many performers notice that nerves increase their frequency of urination. Why? The smooth muscle of the genito-urinary system contracts when our sympathetic system is activated. Increased adrenaline rush and resulting cardiac racing can cause diuresis. Such issues are eased if we learn to channel that adrenaline away from such symptoms into energy. 

Make water a habit

Drink plenty of water in pressured weeks, days, the morning of a performance. Ease back in the hours and minutes before, perhaps rinsing your mouth before walking onto the platform. On-stage, I like to have a water bottle at hand for a discreet sip between pieces. This helps another problem that besets performers; dry mouth.

Singers and speakers

Water is essential for voice production, to lubricate the vocal folds. Room temperature or warm is best; cold constricts and heat relaxes. 

“Water is the only drink for a wise man.” (Or woman) – Henry David Thoreau

  Let’s drink to that!

Hear Ruth play

Mendelssohn Konzertstücke Op. 114 with Sian Davis and Brisbane Symphony Orchestra
                      Sat 28 November – Sunshine Coast Tix  
                      Sun 29 November – Corinda, Brisbane Tix Ph. 07 3847 1717

Workshops and Coaching

Ruth offers one-on-one sessions in SE Qld or via Skype. Email to check availability.

Countdown to Performance

Tips to shine in performance

You, or your students, face a big performance. Time runs short: 5—4—3—2—1 weeks. The next few blogs give practical, holistic, do-able tips to help you focus and poise in the weeks, days, even minutes before you walk onto the platform.

Fail to Prepare = Prepare to …?

It’s all cause and effect. We reap what we sow. Especially when it comes to a concert or competition. If we know, submerged deep down under the distractions, procrastinations, avoidances, excuses and trivia, that we have not worked, who’s surprised if we stuff up? It’s as likely as Monday following Sunday. We deserve to be nervous. However, take heart, and rescue it with:

The 80/20 Principle

What is the 20% (give or take a bit) that needs 80% of your focus, time and effort?

G# melodic

WORK SMART

I enjoy people’s reactions when I say: (drum roll)

‘Please, DON’T WORK SO HARD… ‘ (pause for effect)

‘At the easy parts.’

 Practise what you can’t play – instead of what you can!

Often we reassure ourselves playing the passages that we CAN play, instead of facing the ones we can’t. That’s precious time wasted.

Would a coaching session help?

Target your needs with one-on-one sessions in SE Qld or via Skype. Email ruth@ruthbonetti.com to check availability.

Performance coaching

RUTH BONETTI PERFORMANCE COACHING

There’s a good chance we will even enjoy performing if we prepare intelligently and regularly in the months before. We may even shrug off the butterflies and nervous greeblies. As long as we program our brains for success. (Excerpt from Practice is a Dirty Word: How to clean up your act.)

Let’s start at the top with our head. What’s happening in it…

Program your success

Create a self-fulfilling prophecy by visualising your triumph. Overcome potential self-sabotage of negative “what-if’s” with mental preparation.
See yourself, calm and poised, walking onto the platform, opening your mouth to speak. Hear the vibrant tone that flows out, resonating to the back of the hall. Out of the corner of your eye, see those fear-gremlins skulk away into the shadows, while you are encompassed in the warm, flattering and protective stage light.
And do you see those faces in the audience responding, smiling up at you? Hear the applause of their standing ovation? See yourself backstage with diary open, wondering where you can find time for a repeat performance.

OK to talk – but can Ruth play?

Hear her repeat concerto: Mendelssohn Konzertstücke Op. 114 with Sian Davis and Brisbane Symphony Orchestra

27 November – Sunshine Coast

28 November – Brisbane

This year I’ll…

Arg, New Year resolutions! Don’t go there. Under the influence of a glass or three, people make promised they can’t keep. But, bubbling with new impetus–and cold sober–shall l commit? OK. This year I will:

Run on time

Never mind that we’re on a roll with a student, making wonderful progress. If the next one is ready to rock, on time, say ‘See you next week.’ That’s a challenge.

Insist students buy music rather than photocopy

All need a main method or book so they can keep turning pages. Yes, add legit downloads, but resist photocopying. Try Smart Music. CD playalongs. Arrange more.

More practice

soundsandsoulsmedium

…Rather than just getting through the notes in orchestra rehearsals. This year I’ll be upfront again, as co-soloist in Mendelssohn’s Konzertstück with Sian Davis and Noosa Orchestra, on 13 and 20 September. And Brisbane Symphony Orchestra will program Bruckner, Mahler, Beethoven.

More play; Down Time Uplifts

My ‘Me Time’ keeps me sane. I nearly relented and gave it to a student that couldn’t fit elsewhere. But no, my weekly walk on the beach is precious. More swims, also.

What replenishes you that you won’t give up? Mark it in your diary. In 2B pencil.

In The Artist’s Way Julia Cameron recommends a weekly ‘artist’s date’ and I can vouch for it. And for other rejuvenation strategies that I’ll share on 28 February at the Music Teachers Association of Tasmania conference. My topics:

• How to Motivate, Retain and Inspire Students
• Techniques to Rejuvenate and Overcome Workplace Challenges
• Empower Students to Shine in Performance

Nowhere near Hobart? The rejuvenation tips are covered in my book and eBook

 Sounds and Souls: How music teachers change lives.

‘Ruth Bonetti has written a book that not only demonstrates the value of music tuition but offers invaluable advice on how to run a private studio. No matter how long you have been teaching, you will find something in this book that will enhance your experience. Thank you, Ruth, I will always treasure your sage advice.’

-Karen Kelly, Gundagai, NSW

More head stretch; 

I’ll learn Finnish (Scary with all those umlauts!)

More travel

An Adelaide trip is likely this semester, so email me if you’d like to take the opportunity for workshops at minimal travel costs. Or for sessions elsewhere. My diary is open; now that I have finished my next book, I’m more available to present.

More teaching

… I can fit in a few more students. Perhaps a day in a school. Interested, anyone?

Phew! I need a glass to toast to all my resolves.

Who’s afraid of public glitches?

Here’s a tip from left field:

It’s OK (well, often) to make a fool of yourself in public.

Develop your ‘confidence muscle’ by stretching beyond your comfort zone.

Allow yourself to be vulnerable to listeners and they’ll more likely warm to you than tab your mistakes.

We can learn more from a fumble or stumble than from a goal.

I can vouch for this

Would you believe that I was a shy child who grew up in the Australian outback? Then I’d run a mile at the prospect of speaking in public. Now I enjoy and invite it.

How did that change?

Experience, maturity. Speaking foreign languages. My husband and I lived seven years in Europe, and for five of them we spoke French, Swedish and German. We learned Swedish on the job, from scratch, and German with an intensive month’s Anfänger course. Fear of making a fool of myself faded, knowing that most times I opened my mouth, mistakes came out. I just had to get on with living – and speaking. Many who witnessed my embarrassments became friends for life.

‘Your music is fine,’ a colleague said, ’but why not introduce the pieces with some words?’

‘Because we’d make mistakes!’ By then our Swedish was fluent but ungrammatical.

‘People forgive that, they warm to you.’

We spoke to our audiences and yes, people appreciated that we made an effort. So when we moved to Germany we spoke about our pieces in rudimentary vocabulary. Though some years later it was challenging to present a full day workshop auf Deutsch.

But on radio? We were pleased when Swedish Radio journalist Carl Friedner attended our Brahms concert. But our jaws dropped later when he unpacked his tape recorder as coffee brewed. His encouragement eased our nerves and we found rapport. This month –decades later – we again stayed with this longterm friend in Stockholm.

The mistakes bogey

Whether we perform through words or music, the fear of making mistakes in public can inhibit, even paralyse. But we learn more from our worst moments than we do from our best. If you struggle, check out my book Speak Out – Don’t Freak Out.

Communication skills

During a recent seven-week European tour, my half dozen words of Italian, Czech, Hungarian and Italian often became addled in my head, but people responded to my efforts. I’m fascinated by the process of learning and using new languages, and how they enable us to communicate, interact and understand. This was a theme of the paper I delivered in Turku, Finland at a conference titled ‘Participation, Integration, and Recognition’. In this I cited my grandfather’s migrant experience. Hear more.

In Finnish, you ask? All those umlauts! More on that next issue. 

Turn your negatives into positives

Put any glitches behind you, and focus on your message and your listeners – who may forget mistakes quicker than you do.

Enjoy your time in the spotlight!