Ginger up your confidence

The symptoms of nerves can be similar whether we present through words or music. Blame that old bogey fight-or-flight. Learn to channel excess adrenalin into energy and you can shine in the spotlight.

Spotlight takes you out of your comfort zone?

Participants at my recent Communication Confidence training day were primed to deliver a three-minute speech. One shared that past presentations caused severe nausea. She was reassured to hear seasoned performers also suffer:

Even Oscar-winning actors?

Dustin Hoffman found live acting far more stressful than filming. When performing Shylock in The Merchant of Venice in London, he spent so much of his off-stage time in the bathroom that a plaque was attached to the door. It proclaimed ‘Dustin Hoffman is here’ and was signed by all the cast. (Excerpt from Don’t Freak Out–Speak Out).

After deep breathing and massaging pressure points, (and more tips below) Andrea spoke fluently, especially in an extempore segment.

Next day she emailed: ‘Yes, I did step out of my comfort zone but I felt pretty good about myself last night when I reflected on my day.’ She was willing to be quoted as ‘it will be good to help others and even better that I am not alone in these feelings.’Ironside State School St Lucia Jen Wedding 1957

Sharing does help!

Now that I’ve overcome my own agonising childhood and adolescence shyness, I’m glad to help others by sharing, both in training/coaching and in my recent memoir Midnight Sun to Southern Cross;

(That’s me on the left, in front of  purgatory Ironside State School. I write how dreaded headmaster Mr. Murray petrified me–and others including Alan Jones!)

Midnight Sun front cover

When I now coach people to boost their confidence in presentations, I can say ‘The person you are now is not who you will be in a decade or two or five. If I can conquer such shyness and fears, even welcome public performance, so can you.’ For I evolved from a shy outback child who hid in the toilet block rather than face fearsome peers into an adult who welcomes any platform to reach out with words and music.

That’s Granddad WA Back standing in the driver’s seat (under ‘Ruth’) in 1924 when this Migrant-made-good brought his family on a whirlwind world tour home to Finland.

WA Back Hawken Drive St Lucia Big House Finn magWelcome to my BOOK SIGNING 1 July, 11am–2pm.

Come to Mary Ryan’s Books and Coffee at Milton. Have a chat, see photos of development of St Lucia and my grandfather’s 1950s Art Deco ‘Big House’ with an elevator in it.Hawken Dr lift

I quote a cousin’s anecdote:

Granddad telephoned in the 1960s.

‘Please come quickly, there’s a woman in the bath and she won’t get out.’ A vagrant had knocked on the door and the ever hospitable Grandma offered her food and drink. In her dementia, she agreed when the woman announced ‘I would like a bath.’ Police evicted this uninvited guest from the bathroom.Hawke Drive St Lucia Art Deco Big House bath

Too far to travel? Where can we buy books?

See reviews on Amazon (hard copy and eBook). Autographed copies at the web store (and these have bonus inside cover photographs!)

More quick fix tips for nerves

  • Ginger is excellent for calming upset stomachs. Drink lemon and ginger tea or infuse grated fresh ginger in hot water.
  • Some prevent nausea by wearing acupressure magnets on elastic wristbands.
  • Massage the pressure point (called Neigun or PC6) which is located about two finger breadths above the wrist crease, between the two main tendons on the inner forearm. Press firmly or stroke towards the wrist. (Stroking from this point towards the elbow can induce vomiting.) This pressure point is also useful for treating shortness of breath, insomnia and anxiety.
  • Massage or press tender points in a radius of five centimetres around the navel to relieve emotional stress.

Presentation Confidence Training and Coaching

Now these books are published I have more time for presentations, training and coaching. Email to discuss how you or your organisation could benefit.

And enjoy reading the books! As did Jeanette O’Hagan (thanks for the review!)

Word Power–written, spoken & sung

Think of all the words we read, speak and write in a week, a year, a lifetime. What might encapsulate your output, by which people remember you? Politicians know a word, phrase or speech that can fast track their career. Or batter it (as in “things that batter” from Alexander Downer). Remember these?

  • I have a dream…” Revisit Martin Luther King Jnr.’s words in light of recent world events.
  • Hillary Clinton’s “basket of deplorables”
  • Julia Gillard’s “misogyny” 
  • Paul Keating’s “the recession we had to have” 
  • “Drain the swamp”…

Do your words speak vision – or derision?

Freedom of speech is much debated at present. It’s allied with freedom of religion, seen through a kaleidoscope. Political perspectives and stances are volatile. We reel from the terrorist attack on tolerant Sweden, which welcomed so many refugees.

What of regimes where words are censored?

Many who enjoy freedom of speech and religion cannot imagine life under repression. Between 1987-1991, hundreds of thousands of Estonians expressed their patriotism in the only way they could – singing. Their Singing Revolution joined with fellow Baltic Republics of Latvia and Lithuania in nonviolent protests that gained their independence from the Soviet regime in 1991. See a documentary and SBS Great Continental Train Journeys: Riga to Tampere. (Where my great-uncle Edvard Back fought in the Civil War, as you can read in Midnight Sun to Southern Cross.)

Edvard Back soldier 2_NH

Finland fought for Independence with war and music

in 1899 (the year my great-uncle fled Finland, pursued by Russians at Suez), Jean Sibelius composed “Finland Awakens” (later renamed “Finlandia”) for a benefit concert to aid journalists repressed by the regime. Growling tremolo and biting brass chords paint in sound the “Great Hate” for Finland’s oppressors that contrast with a plaintive hymn tune. As Finns also expressed patriotism in choral groups, they added vocal lyrics: “Finland, behold, thy daylight now is dawning” and “Be still my soul, the Lord is on your side.”

The Finn Choir sings this at my book launch 23 April, 2–4.30pm

“Midnight Sun to Southern Cross” tells much of Finland’s struggle for Independence, whose centenary is celebrated this year.Midnight Sun front cover

Dr Bill Glasson, AO, who shares similar heritage, will launch the book at St Lucia Uniting Church, Brisbane. A recital of Finnish music will use the organ that my grandfather W.A. Back donated in 1954. Finnish oboist Emily Salonen plays The Swan of Tuonela by Sibelius on cor anglais.
Hear relevant passages from the book and footage of voices from the past.
It’s a free event and all welcome, but do let me know for space and catering.

Finnish pastries!

Afternoon tea will be catered by Finnish chef Bianca Kasurinen, who worked with Jamie Oliver. So please RSVP by reply email, or (61)411782404.

Where to order copies?

Autographed copies are available at the launch, or pre-order copies online.

Cheques can be mailed to PO Box 422, The Gap, Qld 4061 Australia. Or email for direct banking details. Like its predecessor, Burn My Letters, this second book of the saga, Midnight Sun to Southern Cross will be available as eBook (Kobo, Amazon, Book Depository).

So what’s it about?

In the tradition of great family migration stories, Midnight Sun to Southern Crosscontinues the saga of the Back brothers’ flight from Russian-occupied Finland to Australia as the nineteenth century turned into the twentieth.

From frozen Finland to the lush rainforests of northern New South Wales, to the dry and dusty sheep country of western Queensland, you follow the highs and lows of their new life under the Southern Cross.

It is an extraordinary tale of success, failure, hard work and dreaming. What drove the wheeler-dealer Wilhelm Anders Back, known as WA, to became in his time Australia’s richest Finn? And what stirred his eccentric writerly elder brother Karl Johan, KJ, pacifist and political dissenter? What sustained those who stayed behind in Finland, as they bravely struggled to oust the Russians from their homeland? This book, and its predecessor, Burn My Letters, are timely in the centenary year of Finnish Independence.Inside Cover F

Ruth Bonetti, WA’s granddaughter, also contrasts his and Karl Johan’s formative years in Finland with her own upbringing in outback Queensland. For her, it is a voyage of discovery and self-discovery as she tells of her extensive search in Finland and Australia for the broad Back family history and weaves the story of her own life from shy bush girl to musician and writer, wife and mother.

Enjoy the Saga!

PS. To attend the launch, bookings (email, Facebook or phone) are essential.

 

Walk Out – Talk In-clusive

The audience of ultimate indignity…someone walked out of your keynote. How to continue, wondering what nerve was hit? What sacred cow did you shoot?

We imagine the worst, take it as a condemnation of our words. But perhaps they went to take an emergency phone call or to the bathroom?

Misread Body language?

If pressured, we may misread signals. As I did, presenting my first American sessions, aware that a co-faculty member sat with bland face–as he processed my words. Yet he came first to shake hands and say “I was intrigued that you said…”

Some do tell it straight…

By posting a blog as did Yassim Abdel-Magied. She protested that acclaimed author Lionel Shriver’s Brisbane Writers Festival keynote address targeted “cultural appropriation, identity politics and political correctness.”

Stay on topic

To their credit, festival organisers quickly mounted a right of reply, saying Shriver “didn’t stay with the agreed brief” of “community and belonging” but reverted to her submitted topic of “fiction and identity politics.” Even a respected author who won awards for We Need to Talk About Kevin should stay on topic. 

FullSizeRender

Natural habitat

Writers festivals are my natural habitat. They attract thinking, articulate people, who discuss reactions, smiling as they plod though mud between tents to absorb yet more challenging ideas. Mega thanks, Byron Writers Festival and Jesse Blackadder for the opportunity to launch my book Burn My Letters.

This inspiring festival is unique amongst others in giving space for humble indie authors.

Hear radio interview

A new writers festival

And for Sunshine Coast International Readers and Writers Festival where director Wendy Hanlon launched Burn My Letters in an innovative, inclusive and friendly atmosphere. In it, I give voice to one who was censored, I “step into other people’s shoes, and try on their hats” (to quote Shriver) as authors do.FullSizeRender

I’m thrilled with 5-star reviews on Goodreads.

What’s it all about?

Out of town, I missed the BWF keynote furore. But reading the transcript I’m of two minds. I sympathise with those who felt confronted by the speech, but wonder how many silent majority audience agreed. The sort of people Hillary Clinton dismissed as “deplorables” who feel so ridiculed for conservative beliefs, and disenfranchised that they would even consider voting for extreme right politicians.

Some commentators including The Financial Review sided with Shriver.

Bring on the debate – pro and con

Did some nod at her words: “The left’s embrace of gotcha hypersensitivity inevitably invites backlash. Donald Trump appeals to people who have had it up to their eyeballs with being told what they can and cannot say. Pushing back against a mainstream culture of speak-no-evil suppression, they lash out in defiance, and then what they say is pretty appalling.”

Abdel-Magiel has appeared on GotchaLand ABC QandA panels.

But it’s simplistic to dub a walkout as as publicity stunt, not knowing sensitivities that prompted it. We value our country’s freedom of speech that enabled Abdel-Magied her voice. We can always learn from criticism.

But as a wordsmith, I worry that increasingly, words are curtailed, censored, criticised.

Shriver cited recent authors that the left judges for “cultural appropriation.” Do we add the white Harper Lee whose To Kill a Mocking Bird and Uncle Tom’s Cabin that took on American racial prejudices? Truman Capote’s In Cold Blood?

What price words?

The Australian government deems words so cheap that they consider changing laws to cut copyright to a mere 15 years. Or allow parallel importation of books, that would decimate authors’ already meagre incomes.

We need to talk, with open minds, respect and sensitivity. Dialogue, not monologue. Unless we’re the keynote speaker.

 

Burn My Letters fires at literary festivals

Burn My Letters launched at Byron Bay Writers Festival, launched by author Jesse Blackadder. Thanks to Captain Honey who made it possible amongst greater luminaries of the literary firmament. The Brisbane launch was uplifted by gypsy/klezmer band Greshka, and by a choir of Finns who sang Finlandia to many moist eyed listeners. Georgiana Poulter, director of the Institute of Modern Languages, University of Queensland launched it. Some footage is on Facebook.

KJ launch

Radio interview

Sibelius featured of course in the ‘My Journey in Music’ interview about this and a coming Brisbane Symphony Orchestra concert on Radio 4MBS Classic FM (103.7) repeated on Sunday 8pm. Listen via live streaming .

A Book Week talk, then next…

The Sunshine Coast International Readers & Writers Festival includes my launch in the (apt!) Smorgasbord of Authors, Saturday, 10 September.

Thanks to Suomi Newspaper for including half-page spreads in three recent issues.


Book 2 to launch in November

Midnight Sun to Southern Cross is written, edited, but needs another read through before putting it between pages. The plan is to launch in November, amidst this present whirlwind…I’ll keep you posted.

How to order?

Those who helped along the journey, and others who bought pre-publication copies should have received books by now, with international posting ten days ago. It’s now up on Amazon as eBook and of course, if you prefer an autograph, order from my website.

TwoCovers

Our first review!

Karl Johan and I are thrilled with a review on KJ’s book page

Lisa Nitschke wrote: ‘Just finished reading “Burn My Letters” and really enjoyed it! Being a teacher, I usually never read much during term time, but I got involved in the story and found it was a welcome break in the evenings to see how the story unfolded. Having recently visited Byron Bay and surrounding hinterland, I could picture KJ making his home there. Looking forward to the next book!’

It’s on the way…

Tips for music competition success

In last week’s Queensland Eisteddfod my adjudication comments often echoed an email to my students who also faced competitions.

How to prepare for a competition (or concert)

In the warmup room

• SLOW scales, long notes
• Play any tricky bars at HALF speed
• Hand on forehead and slow deep breaths calms excess adrenaline.
• Buzz lips to prevent tension squeaks (clarinet and saxophone).
• Stand against a wall for upright posture.Main illus man head LR
• BREATHE!

In the performance

Walk on with upright posture that says ‘I am the greatest!’
If people clap, bow. Prime friends to clap so you can bow.
If an MC doesn’t do so, introduce your piece in a big clear voice; look at the audience not your music.
Tune to piano/other players. Nod ‘I’m ready.’
Take a moment to poise.
Eye contact – give a clear upbeat in the tempo you really mean.
Play out with a big, round, beautiful tone.

If things go wrong

Expect your pianist to follow you. Rescue with a clear downbeat, eye contact or gesture; also to indicate if you need time for well-chosen breaths.
A glitch, wobbly bow or fluffed note is not doom.
I tell my clarinet students ‘If you squeak, make it a good one!’
KEEP GOING – DON’T STOP.
Think ‘Even though I stuff up I love and respect and appreciate myself!’

Stand out from the crowdSax crop

When many deserve places the adjudicator prays for someone to shine.

Exaggerate dynamics so the adjudicator thinks ‘ah, musical!’ Feel free to add more.

Communicate with listeners—they love that!
Play musically with beautiful tone, and above all…
ENJOY your music! Have fun!

After the last cadence

Bow and acknowledge the pianist.
Smile–whatever happened in performance is your secret.
‘I’m proud of you for learning, practising and polishing, and presenting your pieces. If you gain a place, that’s the icing on a tasty cake.’ 

Book launchBML Cover med

My latest book Burn My Letters launched at Byron Bay Writers Festival on Friday. The Brisbane launch on Saturday 13 August at Queensland Multicultural Centre is ’ticketed’ for space and catering. It’s nearly full house so do reply email if you’d like to come.

My interview on Radio 4EB FM is online for a week. Scroll through to Breakfast with BEMAC; the interview is 21 minutes in.

Books are available with Paypal and at IngramSpark and Mary Ryans bookshops.

Artwork credit: John Harrison

In last week’s Queensland Eisteddfod my adjudication comments often echoed an email to my students who also faced competitions.

It don’t mean a thing…

…If it ain’t got that swing. As the classic song goes. (Tap along to Duke Ellington.)

Or ZING. Australia’s federal election last Saturday proved a double-disillusion. It flagged questions about the communication skills of key players on the national stage. Without naming names, let’s draw lessons for all those who present through words or music.

Communicate!

Reach out to your listeners, involve them, get to know them. Before a presentation, mix with the masses in the foyer, refer to some by name during your presentation or question time.

Clarity!

Convoluted rambling puts listeners to sleep, however mellifluous the voice, however beautifully modulated and paced. It leads to misplaced expectations.

Customise!

Adapt to different audiences rather than repeat worn out text, slogans and mantras. Listen before you speak. Create fresh, relevant zingers.

Commit to being and giving your best– don’t condescend. 

Never underestimate audience intelligence and insight. They see through ego, fake sincerity, and an attitude that “it’s all about me!”

Concise!

Pithy. To the point. Less is more. It’s easier to speak (or write) long than short.

Congruent – Be yourself

People, whether as audience or voter, want to relate to real people, not puppets or figure heads. Humility and reality cover a multitude of glitches.

WE HAVE LIFT OFF! BOOK LAUNCHES – Burn My LettersBML Cover med

After many drafts, edits and proofs my next book Burn My Letters is off to the printers!

102 Main Street Kangaroo Point (free parking, ferry to Holman St. Terminal)

(Bookings essential: email 0411 782 404 or 07 33002286)

Enjoy live music from Greshka, soprano Lyn Moorfoot and Finlandia sung by Finnish singers; give-aways; author Q&A, as you sip lingonberry saft (or stronger from cash bar) and taste smörgåsar (canapés).

lloyd@sbctc.com.au

Autographed books at launch (RRP $27.99), Paypal or email for bank transfer info.

The International Connection

I’d love to include those who’ve helped me along my journey. Join us at the Brisbane launch via live streaming on YouTube/Google. Or record for later download. (SOS for techies who can make it happen!)

If you order books via PayPal we’ll absorb extra international shipping costs.

Book 2 of the saga will launch in November

BML back cover

It’s written, edited, and will release after yet more edits and proofs.

Thanks, Peter Fenoglio for the luminous covers.

Enjoy reading!

“Playing” music…for free or fee?

Some non-musicians can’t understand that because we “play” music, it’s our livelihood. That we have invested years of decades’ study to finesse our talents. That we still put hours into practice and in many cases into arranging and composing. OK, I’m preaching to the converted. But…

Practice or play?

Why not choose a positive title like “Practice Makes Perfect” someone asked when I published Practice is a Dirty Word: How to clean up your act.

I’m allergic to the words perfect and practice in the same sentence.

practiceIn it I wrote:

Let me explode a myth.
Practice does not make perfect.
Not exactly. Not always. Hey, not ever. Let’s face it, we can’t be perfect.
Even top performers cannot be perfect. None of us can be a hundred percent perfect. Trying to be so is the biggest single cause of nerves, insecurity, depression, low self-esteem. These can cause even the most capable and talented people to give up.
The whole problem is that “practice makes perfect” has been garbled and used as a whip around our ears. Who coined that phrase, anyway? No one admits to it, but the closest we can get to its origin is that the ancient Greek philosopher Periander said: “Practice is everything.” 

But what to call it? Play?

I wrestled to find another word for “practice”. Play is the closest, implying active, creative engagement. (But we know for some it means –er–lack of focus.)

There’s the pitfall…

Some can’t imagine we should be paid real money for mere PLAY.

I must offer professional fees for live musicians at the book launch.

Thank you to those who’ve supported my crowdfunding campaign.Special mention to Althea O’Dee for her heart-warming email:”Congratulations on your new writing project! You inspire me so much. I am working in China at the moment. I’d like to donate to your fund, but when I open the fund-site, it is all in Chinese. Could I donate into your bank account… and you don’t need to send anything in return? I just want to help you, since I already own a couple of your music books, which have really helped me.

We hit the goal! Now to pay musicians at book launchTwoCovers

When my books are between covers, we’ll raise a glass to my wonderful supporters. With live music of course. These talented musicians deserve REAL fees, not mates’ rates.
With extra funds I’ll book a singer and commission son André to arrange Scandinavian music to perform with his gypsy band Greshka).

Because Words and Music are my fortes

There’s a few days left support my campaign. Do check out my crowdfunding site.

Thanks for your support!

 

Novel way to publish books

How to hook a mainstream publisher? That question keeps authors too busy to write their next book. We spend disheartening time on pitching, proposing, publicity. All writers know the pain of rejection.

• Harry Potter and J. K. Rowling were rejected by a dozen publishers, including Penguin and HarperCollins.

• Margaret Mitchell’s Gone With the Wind was rejected 38 times before publication.

• Orwell’s Animal Farm: “It’s impossible to sell animal stories in the USA.”

• To F. Scott Fitzgerald, “You’d have a decent book if you got rid of that Gatsby character.”

TwoCovers

When some publishers are interested and enthusiastic, we’re buoyed and tread on clouds. Until we discover they’re academic or vanity press, offering little recompense for our hard work, intellectual property and writing skills. Even asking us to pay for the privilege of seeing our words between covers. Might as well self-publish.

Last year I swore I wouldn’t indie publish. Even though I have already published books for musicians and teachers through my Words and Music imprint. But I’ve launched a crowdfunding campaign for the last leg of a long journey.

Even print on demand needs outlay of funds. Thanks to my son Paul Bonetti who helped, having successfully crowd funded his second album. (You can hear my clarinet backing on a few tracks.) I’m encouraged by the successful campaign to reprint Brisbane Art Deco, which includes my contribution about my Granddad’s house in St Lucia, Brisbane. Back House main BCC-B54-1976

Granddad (W.A.Back) was a Finnish Swede who emigrated to Australia to escape conscription into the Russian army. When his black sheep brother fled in 1899, Russian military police searched for him in Suez. He dodged them and found refuge in Australia. But why did he write home to “Burn my letters?” A decade’s research found answers to such questions. 

Letter KJ Back 1899:2

A treasure trove of archival letters

I’m blessed that my relatives gifted me with illuminating archival letters. These helped me piece together the story of my forebears.

What an inspiring, empowering story!

There’s a degree of memoir as the books cover:

  • Growing up in the Australian outback
  • Schooling in Brisbane: at Ironside State School, Somerville House and University of Queensland.
  • (Granddad led a consortium that developed St Lucia)
  • Studies, research and work in London, Sweden, Finland and more during 7 years in Europe.
  • My musical and life journey

My books that tell their stories and my own journey to discover heritage are ready to go. But I need help to afford printing. Please support my crowd funding campaign so I can put my books between covers.

http://pozible.com/burnmyletters
It’s going well, but not quite safe yet!

Many thanks in anticipation!

Find your voice to speak/write

Voices reveal all. Writers wrestle to ‘find their voice’ and that of characters.

Public pressure may cause speakers to lose resonance, even voice.

  • Tension causes tight timbre. (Tip: Hum into your head, so you feel vibration in your crown. Hum while opening your nostrils and nasal passages; and while accessing the front “mask” area of your face. Keep your throat open and posture upright.)
  • Insecurity causes ‘up talk’ or that recent trend, ‘vocal fry‘.
  • Tip: Before presenting, find your natural range with a conversational ‘aha’)

Edit, edit and more edit!

Whether you write for the ear or the eye, prune excess words and redraft. 

But my coming book cries ‘no more culls!’ But how to choose between fascinating stories? Rather than publish a brick doorstop tome, I opted for two books:

  • Burn My LettersTwoCovers
  • Midnight Sun to Southern Cross

Curb – or censor?

My characters expressed their voices in archival letters and recorded interviews. 

These and my research unearthed answers to why refugee Karl Johan Back wrote in 1899 to ‘Burn My Letters!’ Under Russian occupied Finland his words were censored. Letters that were saved from the fire uncover insights into his story–and his unique voice. 

Will you help me crowd fund the final leg of a decade long journey?
This week I launch a crowdfunding campaign to publish my next two books. I’ll post a link when it goes live. I offer rewards in return for pledges from $7 up. Books, of course. Scandinavian goodies like home-baked Finnish gingerbread. 

I’m excited! It’s countdown to campaign lift off. I hope you will come aboard. 

More on my Facebook page.

Enjoy the journey as I have done with its discovery. 

April opportunity – coaching and presentation NZ, Adelaide

As I fly there for other bookings, I can offer presentations and coaching without usual travel costs. Email for available dates. 

Ms. Crotchet calls time on tutti

Group vs. individual music lessons?

Kudos to colleagues who teach mixed groups of instruments, standards and ages as their norm. I know some who battle groups of 30 Bb/Eb clarinet and sax beginners. They’re braver than me!

So I’m blessed…

That last week, in a group of three, some Year 4 clarinet beginners managed a few opening notes of Pink Panther in their third lesson. I was as surprised as they were. With help from parents who play a little clarinet, they managed the first phrase next lesson. Are they practising? Heaps!

But I am OVER mismatched groups!

I sent an email to parents last year:Ruth + Student_6921

“Dear parents,

To best realise your child’s potential and optimise your investment, consider:

GROUP LESSONS – Pro and Con:

  • Group suits family budgets.
  • They nibble a teensy taste of music.
  • It’s sociable – if players are well matched and compatible.
  • BUT age, instruments and standards often vary.
  • Little scope for timetable changes, or adjustment.
  • 2 students in 30’ group = 15’ each.
  • 3 students in 30’ group = 10’ each. Pieces chosen for the group pace.
  • Time goes on aspects where Matt struggles but Jake plays easily.
  • Fingers twiddle while Mr. Quaver fixes a student’s bent key.
  • If a student misses a lesson that others attend, there’s no scope for make-up.
  • Exams aren’t feasible for groups with little time to cover all aspects. Ms. Crotchet talks staccato sfz, marcato, V between brows.
  • Presto to hear what students practised and give new pieces.
  • If no time to play all they prepared, why practice next week? They lose interest.

Practice dwindles > performance nervespractice

They need Ruth’s books (check the half-price deals and class sets).

Capable students stop lessons if frustrated, wasting talent and parents’ investment.

PRIVATE LESSONS

  • Negotiate timetable for premium times in break/before class.
  • Make-up lessons if 24 hours’ notice of illness or tests.
  • With teacher’s undivided attention, students move at their own, faster pace.
  • Ms. Dolce chooses pieces and styles they like, is enthusiastic, relaxed and fun.
  • Exams and competitions are well prepared, so high results are likely.
  • Students set and meet goals, enjoy challenges, realise potential and SHINE IN PERFORMANCE!”

CMP-with-shadow

Andante con momentum

It was a risk. But this year, Mrs Dolce’s schedule is full, her days long, but she emerges grazioso!